Chocolate August 28, 2012 August 28, 2012 Hi, big time lurker here. I've read the creepypasta concerning the guy who followed the newspaper ad and the more I read it the sillier the 'scary' parts get and better the good parts seem. From what I can tell, he creates this tulpa from parroting only. A lot of members say parroting is bad, especially when its soley parroting as a means of tulpaforcing. I was thinking of using this pasta as a guideline of sorts, does anyone have any help or advice? School is starting up again and I could use a tulpa not only for study help, but for funsies too.
Kiahdaj August 28, 2012 August 28, 2012 There is a topic talking a bit about it, here. http://tulpa.info/forums/Thread-Analysis-of-the-Tulpa-Creepypasta But generally, I'd say the "method" that it said he followed would not be the best way of going about it. I think you'd be better off using the guides from this site as a guideline. "If this can be avoided, it should. If it can't, then it would be better if it could be. If it happened and you're thinking back to it, try and think back further. Try not to avoid it with your mind. If any of this is possible, it may be helpful. If not, it won't be."
Guest Anonymous August 28, 2012 August 28, 2012 Someone never had a dial up modem. Don't do it, that noise was the real reason the experiment led to insanity and murder! The tulpa was warped by the terrible sounds. You get out of a tulpa what you put into them, and that's why only harmonious sounds should be used to influence the creation process. Unless of course, you want a misaligned consciousness hanging out in your brain.
Pashoo August 28, 2012 August 28, 2012 only harmonious sounds should be used to influence the creation process. Well, I wouldn't necessarily say that. Hide and Seek by Imogen Heap is a nice song to tulpaforce to, and I'm pretty sure more than half the chords are dissonant or unresolved. Then again, the lyrics have to do with kidnapping and ransoming... Well, there's also jazz. An abstract, all-encompassing love is still a love, nonetheless.
Guest Anonymous August 28, 2012 August 28, 2012 I was being facetious. People's tastes vary widely, some may enjoy unsettling dissonant music. The background sounds in the creepypasta was a bunch of ugly music with annoying sound loops thrown in. Though now I'm wondering if this would make a good research project. Does disturbing music negatively affect the creation process? But how to go about it? What if the music was merely bad techno or house? By the descriptions, it sort of fits.
Guest Anonymous August 28, 2012 August 28, 2012 I was being facetious. People's tastes vary widely, some may enjoy unsettling dissonant music. The background sounds in the creepypasta was a bunch of ugly music with annoying sound loops thrown in. Though now I'm wondering if this would make a good research project. Does disturbing music negatively affect the creation process? But how to go about it? What if the music was merely bad techno or house? By the descriptions, it sort of fits. It's all relative to how it affects you. If disharmonious music is soothing to the user, they'll have just as decent an affect as calm music to another. For example, I've listened to some Merzbow while forcing a few times to see how it affected the session, and it turned out just fine. I even tried some to see if it was possible to keep concentrated. To me, it's just as effective as white noise or tones. After a few minutes it helped me concentrate better than with silence.
Guest Anonymous August 28, 2012 August 28, 2012 Harsh Wallnoise started out by making me space out, but then all it started to sound like a steady rumbling and it became plain old white white noise, with a scratchy vinyl sound to it. It made for a very focused six minutes. Merzbow was spooky and gave me inspiration for visualizing appropriately disturbing imagery. Didn't feel too disturbing though. No sudden intrusive thoughts; I suppose for now, background music is background music.
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