Jump to content

Can't see a dang thing?


Recommended Posts

The following should apply to both open- and closed-eye visualization. I do some of both but prefer closed-eye because there's less going on in my visual field to distract me. Note that I do still often struggle to get things going, but the stuff in this guide generally does work and at least get me something. It might not be really vivid, but it's way better than darkness. Also, this guide is a bit TL;DR, sorry.

 

To clarify, this is about "seeing" things in your mind's eye / imagination. You will not actually see things visually until imposition. However, you should get something that feels a bit like seeing. Best I can really describe it is like it's on a separate plane from your real vision. It's like what you "see" when you recall a really vivid memory -- you imagine it in full color, and with good detail, but your real vision always overrides it, especially if anything is there to distract you. This is why closed-eye/blindfold/perfectly dark room so often work well, and why it helps to get rid of visual blobs and noise as much as possible. When you impose, you're allowing this same imagined picture to override parts of your real vision.

 

First off, the biggest problem I see is people trying to make stuff appear on the backs of their eyelids. If you're doing this, don't. Focus instead on your mind's eye, where you imagine things, like when you think visually, read vivid descriptions, etc. Learning to shift your focus from your vision to your mind's eye can be difficult, and certainly was for me.

 

The very first thing to try is relax. Being a little to a lot relaxed often makes it easier to see yourself somewhere. Thinking about being somewhere happy -- not necessarily seeing anything -- may help you relax as well. Try listening to soft music, hard rock, binaural beats, Fede tones, whatever helps you. If you can, get to a trance state, but that's something for another guide. Just let yourself space out. ...Or don't relax. Sometimes you might just randomly get amazing visualization in a full-waking session.

 

If closed-eye doesn't work, try open-eye, which is about the same as daydreaming. Something in between is to have your eyes open but wear a blindfold or sit in a room with zero light.

 

Do you get any activity on the backs of your eyelids, like excessive noise and "plasma blobs"? I find these are quite distracting and make it way harder to focus on my mind's eye vision instead of the blobs. Usually relaxing my eyes and not squinching them shut helps with this, as the muscles around the eyes press them when contracted, causing the blobs. If you can't live with the blobs and can't get rid of them, play with different ambient light levels in the room. Pitch black is not always best. Medium-dim indirect light can produce a flat orange across your whole field of vision, with very little discernible noise or blobs.

 

What is it like when you try to imagine something, either open or closed eye? Can you at least get a sense of what is where in your imagination, but just can't "see" it? If so, you might just need something to draw your attention to your mind's eye. If you don't even get an idea of what's where or how it's supposed to look, pay extra attention to describing what you want to see with words.

 

Imagine something vividly colorful, with lots of color, and that moves at least some. Lots of contrast is good too. Places you're really familiar with can work well too. I'll sometimes use my childhood home, or a beach with really vibrant, exaggerated colors. Try to describe what you want to imagine with words, and include as many senses as possible, especially smell and sound. Try to imagine how light and shadow work, and try moving the light source around to see it change. If you're imagining an indoor place, imagine turning on the lights. If you're outdoors, be sure to include the sun or a full moon. Also consider imagining a small flashlight in your hand. You can use this to illuminate an object you're examining from any angle, and move the light and shadow around it freely. (See below for a detailed example.)

 

Occasionally I've had success with imagining all black, then all bright white, alternating back and forth -- a strobe of sorts. The idea is it's sudden changes and about as much contrast as you can have. Still, realistic scenes typically work best because they involve more senses.

 

Once you catch a glimpse of something, you need to hold onto it. If what you're seeing is interesting enough to you, this may be easy. If what you see vanishes instantly, it may be because of a thought like "cool, I'm seeing something!", which makes you snap your focus back to your eyelids to see it. Instead, try to remain spaced out when something comes. Do not focus on seeing things; focus on the things you're trying to see. When you start to see them, don't do anything different or think anything in particular of it. Just keep focusing on what you're visualizing and continue normally.

 

If you see something for a while, and then it fades more slowly, leaving you staring at your eyelids again, you've lost focus or drifted out of whatever favorable (relaxed, zoned out) state you were in. Speaking aloud can do this, as can excess movement, at least for me. As for focus, that's another thing that takes practice, although I've heard good things about bananas and an energy drink called Neuro Sonic. If you absolutely cannot focus, imagine a place where there are plenty of different objects, and let your attention dart from one to another. You're still focusing on things in the same mental location you're trying to see, so it should work.

 

Example way to handle a beach scene. If you don't like beaches, substitute any place that you feel really happy in. This may or may not be your wonderland, though that should be a happy place as well. Merely reading this example may well make you see something.

(Change the order to put whatever sense comes most easily to you first.)

Don't concentrate too hard on making something appear, or it won't. Narrate these details to yourself, or later your tulpa, as you attempt to imagine them. Even if you don't see anything, continue. At some point, you will probably catch a glimpse of something. If something does appear, don't focus on it or go "wow, I'm getting something", or it will vanish as you immediately snap your focus back to your eyelids.

  • Sight: Start with the sky, which is clear and a deep azure that is deepest straight above and lighter toward the horizon. The sun is about halfway down the sky, on your right. Let your focus drift downward from the sky and see the ocean water, slightly rippling and with small waves. Now see the rich, warm golden sand, closer to brown where the water has touched it, stretching from the water's edge up to where you stand. See the dips in the dry sand where people have walked. Notice how some random grains of sand glimmer in the sunlight. Point your finger at the sun, and make it follow where you point. See the effect on lighting and shadows, including on each dip in the sand. Also look down and see your own body; this helps place you in the scene and establish that you're there, and not just a floating view.
  • Smell: That unique salty smell you get at a beach... Or that stinkier low-tide smell if you like smelling icky things.
  • Sound: Hear each wave as it wooshes in, crashes and then recedes. If there's much breeze, hear how it sounds blowing into or past your ears. Add some seagull or other water bird noises if you like.
  • Touch: Feel the soft sand under your feet and feel how it shifts as you walk, your feet sinking into it slightly. Reach down and pick up some sand. Feel how it's warm from the sun, feels gritty and has the occasional really small pebble in it. Feel it flow out of your hand between your fingers, leaving a slight coating of sand stuck to your skin. Brush it off, feeling how it rubs on your skin a little. Walk down to the water, feeling how the wet sand is cool and hard under your feet. Walk slightly into the water and feel how the cool water flows by. Pay attention to how the water washes away the sand directly under your feet as a wave recedes. Reach down and scoop up some soggy sand. Notice how gloppy it feels for the moment before enough water runs out of it that you're left with a wet crumbly lump. Try to shape the lump a little, then drop it and feel how it's left your hand damp, with small amounts of wet sand sticking to it.
  • Temperature: Imagine that there's not much wind blowing. Feel the warmth of the sunlight on your skin wherever it hits you. Now a cool sea breeze picks up, coming in from the ocean. Feel it on your body, especially on bare skin. It reduced but doesn't eliminate the warming effect of the sun. If you're wearing loose clothes, see and feel how they flap about in the breeze.

Lyra: human female, ~17

Evan: boy, ~14, was an Eevee

Anera: anime-style girl, ~12; Lyra made her

My blog :: Time expectations are bad (forcing time targets are good though)

Link to post
Share on other sites
  • Replies 36
  • Created
  • Last Reply

Top Posters In This Topic

I generally have no problems visualizing, but sometimes when my thoughts drift and object, myself, or the tulpa will start spinning in the same place. The only 2 solutions I have been able to find are: 1) holding my breath, and focusing on stopping the object, or 2) fappin, then stopping said object/subjecy. Does this happen to anyone else?

Link to post
Share on other sites

Oh god, the spinning objects. This used to happen to me whenever I tried to visualize anything, provided I could get anything at all to appear. Fortunately it now happens less often. Trying to grab the object never works. The movement of my eyes seems to contribute to making the thing spin faster, and as it spins, my eyes try to follow it, making it spin faster still, until it becomes a blur and than fades from existence.

 

One solution is to stare at one point, even if the object is still spinning. Moving your eyes the other way a bit may help slow it some.

 

Another fix I've heard of but not tried yet is to imagine the object to be in a viscous fluid that makes its movement slow pretty rapidly.

 

Or look down at the base of the object, where it meets whatever it's sitting on. This surface can be used to anchor it down and make the spinning stop.

 

(It used to be that nothing I did worked, apart from letting it spin out, then create a new one and hope this one doesn't start spinning. Now I can usually slow and stop the spinning.)

Lyra: human female, ~17

Evan: boy, ~14, was an Eevee

Anera: anime-style girl, ~12; Lyra made her

My blog :: Time expectations are bad (forcing time targets are good though)

Link to post
Share on other sites

 

First off, the biggest problem I see is people trying to make stuff appear on the backs of their eyelids. If you're doing this, don't. Focus instead on your mind's eye, where you imagine things, like when you think visually, read vivid descriptions, etc. Learning to shift your focus from your vision to your mind's eye can be difficult, and certainly was for me.

 

So you have to see through your mind's eye, or your imagination? Just being sure here, this means you are able to visually see it if done successfully?

Link to post
Share on other sites
Guest Albatross_

So you have to see through your mind's eye, or your imagination? Just being sure here, this means you are able to visually see it if done successfully?

 

Mind's eye and imagination are the same thing in this case.

Visually see it, as in, with your eyes open? No. Visually see it, as in on the back of your eyelids? No. This guide is for visualization in the mind's eye.

 

Also, awesome guide Chupi. Well-written and concise. Hopefully this clears up some questions for people.

Link to post
Share on other sites

To clarify, this is about "seeing" things in your mind's eye / imagination. You will not actually see things visually until imposition.

 

Wait...so I have been doing it right.

 

 

Everything makes sense to me now.

 

Thanks for the guide Chupi.

But will it blend?

 

Link to post
Share on other sites

Lurker.

A fellow zerg.

Wheeeeeeee!

 

ZERG RUSH! ZERG RUSH! ZERG RUSH! ZERG RUSH! ZERG RUSH!

KEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKE

Link to post
Share on other sites

 

ZERG RUSH! ZERG RUSH! ZERG RUSH! ZERG RUSH! ZERG RUSH!

KEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKEKE

 

Dem Hydralisks man...

 

Back on topic, I think I get what Chupi is talking about a bit more. So, visualizing is to use your imagination, and to visually see it, it has to be imposed?

 

I don't know how my visualization skills are then actually! I am able to picture something in my mind, but I never got to imagine hearing, feeling, or smelling something etc. I should give this guide a try.

 

Also, I LOVE Neuro Sonic!

 

Once again, thanks Chupi!

Link to post
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    No registered users viewing this page.

  • Similar Content

    • By devano
      I have read through a few blogs today and talked to a few of the users on the IRC channel to find out a common problem is that some are just not able to render their entire tulpa. They are only able to render a portion of the body, face, torso or legs. i learned a exercise during art school that helped us render entire images in our heads without forgetting bits, distorting portions or mixing things up.
       

      Take a look at this picture above and pay close attention to the lamp pole that has the cross walk signs on it.
      I want you to study this pole as best as you can. Try and study the stain right below the Hand stop sign. The bolts and everything about it. Now take about 10 minutes and think about this pole with your eyes closed. Only this pole.
      Try and cutoff other all other information from your brain such as how your day was or any other distraction. Its ok if you talk to yourself about the pole, I did this. "This pole is tall and dark. I see the red hand and the blackness next to it". As long as your focus remains on this single object.  You will need to focus on this pole for an average of 10 minutes about five times.  Be sure to examine the photo in between exercises. This process should Last you a day or two. You can attempt to do this first step all in an hour or half a day. This will not work. I don't know why, it just doesnt.
       
      now that you have completed the first step of memorizing the pole with the red hand sign start to examine the sidewalk. Only the sidewalk, ignore the trees, garbage bin and  all other objects on this sidewalk. If it helps you go ahead and imagine a flat concrete area where the building should be. focus on the edge front of the sidewalk and study this in as much detail as you have the pole. This process will take much much longer than the first step. Now close your eyes and do the same that you did with the pole but try and render the sidewalk as well. Keep both objects in as much detail as you can. You will have trouble focusing on tiny details such as where the paint has eroded on the sidewalk or the bolts on the pole. Focus on what you can and Render what you can. This will take much more than five or ten minutes. Spend at least fifteen to twenty minute each exercise. This time instead of doing it X many times you must do this until you can fully render the sidewalk and pole. This step may take three days to an entire week. Do not give up! Learning this can be far more useful than just visualizing your tulpa!
       
      Now rinse and repeat this step through the entire photo adding more and more objects each time. You can take your time by adding one object each session or you can add several objects during each session. The end result should you being able to Render that entire photo in your mind with ease. This first photo may of taken you up to two to three months to render. That is ok. Now I want you to find a new photo and do the same thing. It should be exponentially easier than the first. Your mind is already starting to examine and visualize multiple things at once. Not only are you able to render things better in your mind but your visual memorization has increased exponentially.
       
      i rushed this a bit and I will rewrite some bits of this later.
    • By Chadack
      This guide is one of many I hope to make
       
      This one is about visualisation and has some tips and tricks to help you guys out. It is a bit spasific but for some it will help. Though I hope to help many.
       
      I've been practicing tulpamancy since 2008 and visualisation since 2007 it's been a good journey and still going. I really want to share with you guys this guide
       

      Created by Chadack Inspired by Oillin my mentor.
       
      What is a tulpa.

      A tulpa is a thought form made sentient, an individual inside your mind who is capable of self-thought and feeling something you can see and touch. A Personal companion for life, so once you make one and it becomes sentient and independent. It will be very hard to undo what you have created some say impossible. Tulpas are created over time… Lots of time. Do not expect these methods to work for you overnight, over days, even over many months. Just a few helpful words to help you throughout your journey.
      Don’t have a negative attitude when you start off. You, yourself have to believe you can do it or it probably won’t happen. Take your time, do not rush, like with art, or anything. Creating a tulpa takes time, if you rush you can run into many problems. Do not compare yourself to other people and their progress with their tulpas, this will only give you negative feelings and might even stop you from completing your tulpa. Remember everyone is different. Your mind doesn’t work the same as that Joe bloke down the road, and best of all remember to really
      think about why you are doing this… 

      Reasons not to create a tulpa in my opinion… 
       
      I believe you should not create a tulpa for these reasons: 
       
      To create one with the intent that your tulpa WILL! Be like this character because chances are it won’t. (Tulpas change as they grow. Don't give them backstories.) To replace Physical friends (A tulpa is not a replacement for this you still need physical touch and emotion from others) don't make one just because your lonely. To replace yourself (Just don’t It's not healthy for the tulpa, and is definitely not healthy for yourself or your family… this is just selfish.) Just because you want to, to remove it later or forget about it later. To through negative feelings on it, or harm it out of anger. (This would be very similar to me putting you in a box and whenever I am feeling angry I would beat you up, imagine how that would make you feel)  Your sexual needs or lust.  
      I do not list reasons to create them because there are too many of them, However I cannot stop you from creating one for the above reasons. I strongly urge you to think about your future and how you and you tulpas will journey together, having a tulpa is a life choice not a temporary phase. It's a commitment.
       
      Please keep in mind that if you are feeling sad or any negative emotions they will leak/bleed into your creation. Your tulpa needs positive emotions to create what I consider to be a healthy successful tulpa. 
       

      Visualisation  

      Book 1 
        
      First Steps, Visualisation 
       
      “A drop of water overtime creates a stagnant pond.” -Oillin 
       
      “Guide – Showing you a list of paths. But you will walk them differently then the next.” Chadack. 
       
      About about me.  I've been practicing tulpamancy since 2008 and have been practicing visualisation since 2007. I have three tulpas I believe to be fully formed I can do almost anything with them. I believe that if you want tulpas you need to think about it seriously and make the proper commitment. And you have to want the tulpa or it really won't happen. 
       

      Part One
       
      Visualisation
      - The formation of a mental image of something.

      The practice of Standard Visualisation.

      What I hope to achieve in this part of the guide is to help you out with your skills on visualisation This means actually visualising your tulpas and objects around you, and also a few other fun things you can do with them. I believe this is key to starting off, however you do not have to start with this part, you may start off with the _____ book of this series, __________________ this will also help you impose your tulpa and general things around you, actively and passively. This first part is just to practice and increase your visual skills… So… Clear your mind, and start. 
       
      It might help the take noticeable calm and steady but slow breathing exercises while doing any meditation work. 
       
      I am going to start off with some simple things to do. Tips n’ tricks, so to say. However, I will point out that this will not work for everyone as everyone’s mind is different. But this doesn't mean you cannot work on it. 
       
      1So first off let’s start with changing an object. Choose a simple object something smooth or square shaped, something familiar to you. “I chose a Coke can.” First off find a place you are not going to be distracted by anything, technology, books, drawing, anything. You need silence or as close to it, this will help you immensely. You can go to your local budist temple or local park. Just make sure your safe and comfortable.
       
       
      1Once you have found the right place where you are most comfortable and at peace and not going to be distracted or disturbed, Get yourself into a meditative state, do this by picturing the centre of your mind/brain/head, concentrate on that and that alone, you should feel an energy/feeling build up as you calm down over time the more at peace you feel the more calm and clear minded you'll be. Look at the object you have selected and make that object in your mind then, look at the place where you are going to place the object. Once you have pictured this object in your mind as you see it in front of you, what you are going to do is turn it into a different shape/energy ball/whatever, your choice. So changing this object isn’t just  picturing another object, I want you to literally stretch it, mould it, form it into another object Changing its form, but keeping its colours and picture. Do this in your mind at first. The more you practice this the easier it will be. Once you have done this move on. 
       
       
       
      2Once you can picture your item, turn your item around so you get a good 3D look at it, only do this if you want to have a good grasp of 3D space. Don’t try to imagine it all at once, all the way around it, just do it one side at a time. Then try to imagine it turning in your mind… When you do this successfully repeat the same thing above, change the objects form, in 3D or as a 2D object in a space, turn it into whatever you want. When you can do this, move on. Do this untill you can be distracted for a while or  thrown off concentration then return back to it. Repeat until it comes naturally. If so, then it is time for you to impose your item onto an area around you, remove the item out of your site completely, and impose the image onto where the item was if it makes it easier have the item in your site just impose your image next to it. Whatever your image is picture it next to your selected item. Whatever you choose. Know that you will have to do this without the item being in your view, once you have a grasp on this and you can see the item as clear as day move the object, turning it around, rotate your item so you see it move around and around. You can either do it with your hands or with your mind. If you do it with your hands and can feel or start to feel the object you are doing well. Please keep in mind what is Real life and what is in your mind, this is very important. 
       
      Once this is done and you are sure you can see it Have a small break and try this again, try the next part when you do all this naturally 
       
       
      Static imposing while moving. 
       
       
      First off make sure you are in a comfortable environment without any distractions, close the windows the least movement outside as usual. Example I have a rat’s cage in our room, I would either cover it or move it out of site or out of the room completely. So it does not distract me. Or turn off your phone. Picture your chosen item in your mind, rethink how it looks from all angles. Simply place the item on the in front of you. Once you have done this I would like you to turn around, away from where it is. Then picture where it is, picture the background as detailed as possible, especially the area around the item where you have put it. See it in your mind that you have that item there. When you have done this, turn back around and impose it there, try turning around and seeing it there until you get a little dizzy. This is hard to do, if it isn’t then, well done. Practice this till you can see it completely clear. 
       
      Personal tip.
       
      One thing that helped me personally is putting the actual item there and looking at it for a bit then removing the item, kind of cheating but it worked well for me. 
       
      Feeling your object 
       
      Take your object in your hands and feel around it. Get a good grasp on how it feels. The temperature of it, literally concentrate on every small detail. Then take what you have learnt and apply it to the object in your mind. Then apply it to the object you have imposed on the ground, by picking it up. 
       
      Do this till you can do it naturally. 
       
      If you have trouble doing this use your visualising skills while holding the item. This often helps. 
       
          
       
       
      Imposing while moving.

      The next step is as it says, Imposing while your moving. Walk back and forth and impose it at the same spot using the same method. First off get yourself into a mediative state but be aware of your surroundings this time. Be aware of where you are in reality and make sure you know it. Ignore all sounds happening, smells, and such but keep a visual on all the items around you. Repeat this till you can see it while you move. 
       
      Imposing Sound. 
       
      This can be hard for some. But easy for some too. Some people don't do this at all. Me personally I have done this but not perfectly. 
       
      Think about it like this. A musician who knows how to tune his instrument by ear knows what each note sounds like this is similar to what you need to do. 
       
      If you want to do this you'll be able to play drums in your mind. Create music and fun with your tulpas or even just yourself. Move on to part two if you don't.   Start again with a calm meditative mind. Breathing is key here listening to what your going to imprint on an object in your mind. Let's say… you want the sound of a bell. What ever sound you choose look up one you like and play it back to you 10 times. Then imprint it onto the object your wanting to sound like that. This is up to you how you do this. I use a stick to hit the bell to make the sound. This links the sound to the object. This seams lien pretty simple stuff but it's actually hard when you have more precise sounds required to be played. Playing a song is easy to listen to it and then replay it in you head. Songs are simple and easy to use don't start with them. The brain does this naturally. You know what the wind sounds like. So you don't have to work on stuff like that unless it's your wonderland description. 
       
       
      Part Two
       
      Create your wonderland.
      Some of this is advanced.
       

      What is a wonderland? (Optional)
       
      The wonderland is an optional place or your tulpa to live in. Though some tulpamancers choose not to have one, (Oillin my mentor, didn’t have one. Though he did mention it.) The wonderland can be anything you like, from a copy of your room or house, to a medieval castle, or Spaceship literally anywhere though somewhere safe and comfortable for you as it's going to be the home for your tulpa.. It’s your head and yours and your tulpas space so you choose what you want to do with it. Wonderlands are created over time, and for me, are always changing depending on what’s happening, or what time of year it is. Though most people keep this simple. Some choose to have a simple wonderland one where not much is happening and some choose to have a wonderland where they have so called “NPC’s” (non playable characters) all the way up to entire cities or even a whole continent. Wonderlands are to be as detailed as you want them to be. Think about everything. If you end up with “images or flashes, short videos” of your wonderland popping into your mind when you think about it. Then you have not worked hard enough on it. If you end up being able to walk through this imaginary space then your doing well. Keep reading if you want one. 
       
       
      How to create a wonderland 
       
      “All objects start as a thought. We create them, to use them, nothing is useless, nothing is folly”  
       
      Simply start with something familiar to you, a good start to a wonderland is 4 walls and a roof, i.e. an empty room. Some say they do not want to do it this way, because they don’t want their tulpa to live in a “box” So please keep in mind that this isn’t permanent, you and even your tulpa can change it later. So, whatever you are going to create choose something that works for you. I recommend doing this if you are going to do this before you start making your tulpa in general. 
       
      Think about every detail in your wonderland, trees, windows, cups, plates, books. (Will get into that later) Think and picture items you use every day, to get your tulpa familiar with them when they come. Assuming at this point you are new and starting off with no tulpas. If it helps grab objects in your room and place them down in your wonderland, that is always fun to do, create new ones off images and 3D models on the internet in games. But remember that this place is going to be the first home for your tulpa. You don’t have to make it nice but you do have to make it whole. 
       
      Mark things as floor and wall, so solids think about how it feels the materials it’s made of, how cold or hot/room temperature the room is or place. When I say think of everything, I literally mean everything. 
       
      Books.
       
      With books, it’s easy to just read it and say “my tulpa is reading, this” no, this only applies if you and your tulpa is reading it in real life. I’m talking about actually putting whole books into your wonderland. Start off with imaging the cover of it then start reading it, writing each word down in the book itself in the wonderland till you know it off by hart, you may have to do this multiple times. This will take a long time. Same goes for magazines/comics, only do the same with images. Picture them there, each page, place the picture on it. This normally works of you have a photographic memory. Don't get to much hope up it didn't work to well for me. 
       
      Computers. Laptops, phones. Electrical interactive devices.
      Computers are all about linking, you don’t need to know how a computer actually works, it would take up too much effort and would just be a waste of time, if you did it that way. Think of computers as literal “magic” The computer just “works.” You have your keyboard mouse, and file system on your computer files a literally just folders that are “linked” So say you click on… “tulpa – documents – Pictures – “file” each “– “is a link that you will make, it’s really easy actually, just work on linking them together. 
       
      What does it mean if I don’t have one? 
       
      As I have a wonderland and do not know this experience, I can only give you my opinion, that they would live in the real world with you, obvious. Not real as in “there, anyone can see” as in you would impose them around you, you might have an area for them to sleep, they might choose one for example, on your bed or something. This simply means you become more reliant on your visualisation skills. Visualising them outside of your mind. Hence why I think it’s so important to first work on those skills, or even just staying in the front. The place where a tulpa will be able to see and hear though your conscious experience. 
       
       
       
      With visualisation skills like these you can really use them to enrich your mental environment with fun activities and create your own world mentally or around you visually. If you apply them to your tulpa you'll be able to see your tulpa sitting standing sleeping right in front of you. 
       
      Imposition. A little… 
       
      If you can feel your tulpa in an external way or you might have a slight feeling your tulpa is on the bed that too is apart of visualisation. As your tulpa is being imposed in the real world. You can actually apply any of these methods to feel, see and hear your tulpa, even directionally in the physical world. 
       
       
      Download:
       
      https://cdn.discordapp.com/attachments/709387515257421924/709387595972345926/Chadacks_Tulpa_Guide_Book_One_Visualization.docx.pdf
    • By TS_B
      For a few months me and a soulbond have been wanting to make a child. We aren't in a relationship, he just wants me to make him a son 'for us'. We had it planned for a while, got everything ready for this child in headspace. A room, a name, how he should look. We kind of argue on personality. Things I make in headspace, things that are supposed to be alive like plants and smaller living critters tend to vanish or just disappear so I'm wary on making a child if something happens to him or he just goes missing due to whatever causes this to happen. Altho with someone watching him maybe that wouldn't happen. Could anyone give advice on 'making' a child and keeping him from fading out? (Sorry if I don't get any terms right or not try to use any terms at all, I come a background of soulbonding and multiplicity/plurality so I try to keep stuff general.)
    • By urali
      Hello everyone, my first post here, so I apologise if im doing something wrong.
      I came here to ask for help from fellow Tulpamancers who might have experienced something similar.
      I always had problems with OCD and visual intrussive thoughts.
      I had a messed up past wich disturbed and perverted my mind, My Tulpa has been helping me alot but for the last few weeks my OCD targetted my Tulpa, she says that it doesnt effect her and that I should trust her, but sometimes the anxiety gets the best of me. I get images of someone raping and harming my Tulpa in our Wonderland wich really scares me. My question is, can my disturbed mind effect my Tulpa and can my mind accidently create bad Tulpas wich might harm my Tulpa?
    • By Piano Soul
      Daily thread #13
       
      (I could not think of a good title for this)
       
      This question is aimed towards tulpas who have either changed or created their own form, not to tulpa creators who chose a tulpa's form for them.
       
      What were the inspirations behind the things you did to your own form? Did something drive you to change it? Did you see something you liked and it made you want to add it to your form? Etc.
       
      Example: Say your original form was an animal, but you changed it to a fairy (or something), why? Say you changed your hair color from what your creator chose for you to something else, why? And so on.
       
      If you created your own form off the bat and your creator didn't make one for you, what were the inspirations behind it? Where'd you get your ideas from? Etc.
       
      (All daily threads are listed here.)
×
×
  • Create New...